Značka: Virtual property

Metaverse is a new frontier for earning passive income

When new technologies and platforms are created, there are incredible discovery phases in which economic activity eventually picks up and starts taking shape. The metaverse is arguably in that discovery phase, with many entrepreneurs finding ways to earn passive income on it.As economic activity in the metaverse rises, new passive income opportunities are seemingly being created on a regular basis, as are opportunities to actively earn income. While what works and what doesn’t is still up for debate, there are some in the vanguard of metaverse passive income.What is the metaverse?Before digging into passive income opportunities in the metaverse, it’s first important to analyze what is actually is. The term “metaverse” has been one of the most popular buzzwords in the Web3 space over the last few months, while millions are moved in digital economies focusing on it.The word “metaverse” comes from Neal Stephenson’s 1992 cyberpunk sci-fi novel Snow Crash. In the Web3 space, the term is used to describe a digital world where people actually own the assets within it.The metaverse differs from past digital worlds, like those created in video games, through the use of nonfungible tokens (NFTs). These unique blockchain-based tokens can be freely traded by users but cannot be duplicated or copied. What can be done in the metaverse is still being explored, but so far, real businesses have been created within these metaverses.Another defining characteristic of the metaverse is interoperability. Virtual worlds like that of popular videogame Roblox could be thought of as metaverses, but unlike the new, blockchain-based iterations, players don’t exercise control or ownership over their assets.Various companies have been moving into the metaverse, with Walmart seemingly gearing up to enter the space, while fashion brands like Ralph Lauren and Gucci have signaled that virtual clothes could be a major growth area for them. Companies are entering the space as it grows rapidly and is expected to become an $800 billion industry within two years.Given the potential size, earning passive income in the space could be a great opportunity. Taking advantage of passive income opportunities can be easy for those already deep into the metaverse, but how long each opportunity will allow entrepreneurs to earn isn’t clear.Renting out metaverse landOne of the most well-known ways of earning passive income in the metaverse is by owning property in it and renting it out. Metaverse platforms like Decentraland and The Sandbox let users rent land for a fee to others.Recent: Canada crypto regulation: Bitcoin ETFs, strict licensing and a digital dollarThere currently isn’t a lot of data on what type of earnings metaverse landlords can expect, as that information isn’t being widely shared. Nevertheless, it’s known to be an attractive market as companies look to host events on the metaverse.Pavel Sinelnikov, co-founder and CEO of Ethereum layer-2 scaling solution Metis DAO, told Cointelegraph that metaverses aim to achieve “digital land ownership and the ability to buy, sell, and rent land and other virtual items,” adding:“Metaverses create an abstraction of real-life, where there is a living virtual economy in the game that is not locked and restricted to the digital domain, but instead extends outside of it; these are real and valued assets, holding value outside of the digital realm.”According to Sinelnikov, the economies seen within metaverses like Decenraland and The Sandbox impact the “greater and real-world DeFi [decentralized finance] ecosystem,” while allowing for more interoperability opportunities.Leasing assetsAnother way to earn passive income in the metaverse involves leasing out assets, as some users may not want to directly purchase expensive NFTs.One well-known example of NFTs being leased to other users to earn passive income comes from the popular game Axie Infinity. The game is based on NFTs called on Axies that were, at one point, rather expensive as the game’s popularity exploded during the bull market.In the game, Axies were needed to compete and earn rewards in the form of Smooth Love Potion (SLP) tokens. Players who could not afford Axies would receive them from so-called team managers in exchange for some of the SLP tokens they managed to earn. The managers were, in essence, earning passive income from their Axies as other players — called scholars — used them to earn rewards. The practice was so popular that some “scholars” in Venezuela were making a living off of leased Axies.Other metaverse assets can be leased, depending on the platform. Sinelnikov commented that lending, renting and asset fractionalization are interactions that have already been formed on the metaverse, with the best part about them being that “no single provider can restrict the usage or control the market, since the assets belong to you and not to an individual provider.”Secondary market royaltiesSome NFT artists have earned extensive royalties through the secondary market as their creations are traded among collectors. The same type of interaction is possible in the metaverse.Prakash Somosundram, co-founder and CEO of blockchain game launchpad Enjinstarter, told Cointelegraph that “any wearable creator can earn royalties when the assets they create are sold on the secondary market.”John Burris, chief of strategy at metaverse app IMVU, told Cointelegraph that the metaverse is “filled with opportunities to earn,” stating that while some metaverse worlds are play-to-earn and others “host gig-like economies,” almost all of them offer item creation and sales:“With blockchain and NFTs we’ve finally unlocked a true ownership and royalty model where royalties can and will continue to flow back to the original creator, providing well-deserved passive income as those items change hands.”Per Burris, the metaverse “serves as a great way for people to make money no matter who they are, or where they’re from, in the real world.” The ability to create, own and sell goods, he said, opens up opportunities to people that they would not get otherwise.Virtual gamesGaming is one of the metaverse’s largest use cases, with most metaverse worlds either being completely focused on gaming or having a large portion of users focusing on it. Some involve gambling, while others generate their revenue in other ways.Decentral Games’ ICE Poker virtual casino is one of the most popular metaverse gambling operations out there and since it’s based in the metaverse, a lot of the costs traditional casinos have aren’t present.Other games, however, aren’t related to gambling at all. Some generate revenue through asset sales, secondary market royalties or donations. Roderik van der Graff, the founder of global investment firm Lemniscap, told Cointelegraph that one of the firm’s portfolio companies has launched a tower defense game to generate revenue through the metaverse.The game is called Spark Defense and allows users to “monetize their land and complete quests to collect, earn and own NFTs which they can use across the game,” van der Graff said.AdvertisingOur final way to make passive income in the metaverse is through advertisements. Setting up large billboards in popular areas can draw in advertisers looking to get the crowd’s attention to sell their products or services, whether these are in the metaverse or outside of it.Finding advertisers for these billboards may mean the income isn’t completely passive, as after a campaign ends, an advertiser may lose interest and the billboard owner may have to start looking for someone else to rent.In fact, most of the options above are likely to require some involvement from the entrepreneur. Then again, true passive income doesn’t really exist, as even the most passive investments have to be monitored from time to time.Is passive income in the metaverse worth chasing?If generated income isn’t entirely passive, some may consider it not worth chasing, given the drawbacks. According to Burris, downsides include engaging in speculation and dealing with the volatility of the cryptocurrency space, as most transactions are conducted in either NFTs or crypto tokens:“It’s important users and creators looking to create income in the metaverse examine the platforms and metaverses they use, and look at the product as a whole. Is the team experienced? Is the metaverse active? Can it sustain itself through economic downturns?”Somosundram said that the sustainability of an income stream “depends on the success of the specific metaverse and/or game where you generate your passive income,” which may mean often moving on to another venture.It’s also worth pointing out that entrepreneurs may end up betting on a metaverse world that is later on abandoned, making their investment worthless as every passive income opportunity in the metaverse relies on heavy traffic. On the bright side, Somosundram said that passive income from the metaverse is a “great means of diversification along with traditional financial instruments,” and there can be a rapidly expanding number of opportunities out there as the metaverse industry grows.As exact figures aren’t widely shared, it’s up to entrepreneurs whether they want to bet on the metaverse and start building their income streams on it or whether they prefer to focus their attention elsewhere. Those who risk making it in the metaverse may have to innovate to stand out, however.Making it in the digital worldWhile renting property or a digital billboard won’t require significant innovation, some of the more prolific earners are taking different approaches. Somosundram told Cointelegraph the story of a Singapore-based entrepreneur that created a GameFi guild that built up a pool of assets to lease for a fee.In another potential example, he pointed to tattoo artists using a service to “mint wearable tattoo art that generates passive income from the secondary market royalties.”Recent: After FTX: Defi can go mainstream if it overcomes its flawsBurris noted that on the platform he represents, there are “over 200,000 active creators, making over 350,000 new items for sale every month.” He stated: “As more and more people spend their time in virtual worlds, and begin looking toward it as a way to earn a living, it’s important to have both passive and active income opportunities — just like in the real world.”Whether entrepreneurs want to move forward with passive income ideas for the metaverse, it’s worth pointing out that there are no guarantees that the time or money invested will generate returns, as the space is constantly evolving.Economic activity in the metaverse is still at an embryonic stage, as many are still figuring things out. As the metaverse evolves, new opportunities will likely present themselves the same way they’re presenting themselves in the broader cryptocurrency space.

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Bitcoin better than physical property for commoners, says Michael Saylor

MicroStrategy CEO and Bitcoin (BTC) advocate Michael Saylor doubled down on his support for Bitcoin as he explained the issues related to transferring the value of physical properties such as gold, company stocks or equity and real estate during the Australia Crypto Convention.Speaking about the underlying proof-of-work (PoW) consensus mechanism, Saylor highlighted that Bitcoin is backed by $20 billion worth of proprietary mining hardware and $20 billion worth of energy. He then pointed out that traditional assets such as gold (in high quantity) and land are nearly impossible to carry forward across geographical boundaries, adding:“If you have a property in Africa, no one’s gonna want to rent it from you if they live in London. But if you have a billion dollars of Bitcoin, you can loan it or […] rent to anybody in the world.”Saylor further underscored the high maintenance costs and taxes linked with owning and inheriting physical property over the long term, which in the case of Bitcoin, does not exist. Geopolitical tensions across the world also determine the type of assets one would be allowed to carry forward across jurisdictions. He explained:“Bitcoin represents a property that you can acquire in small pieces that you can carry with you anywhere you go. You can give to your children’s children’s children’s children. And in 250 years, maybe your family still owns the property.”According to Saylor, only royalties such as King Charles III have the liberty to pass down their wealth without worrying about being taxed away “unless it’s Bitcoin.” The entrepreneur reiterated that the Bitcoin network has not been hacked for over 13 years and is currently “the most secure network in the world.”On an end note, Saylor emphasized the regular upgrades being made on the Bitcoin network to make it faster and more secure, along with innovations around layer-2 and layer-3 applications.Related: Possession of Bitcoin still legal in China despite the ban, lawyer saysBloomberg analyst Mike McGlone recently opined that Bitcoin is a “wild card” that is well-positioned to outperform stocks as traditional finance inches toward a recession.McGlone took it to social media platforms, including LinkedIn and Twitter, to state:“Bitcoin is a wild card that’s more ripe to outperform when stocks bottom, but transitioning to be more like gold and bonds.”As Cointelegraph reported, the analysis notes that while Bitcoin would follow a similar trend to treasury bonds and gold, Ether (ETH) “may have a higher correlation with stocks.”

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A16z proposes a set of licenses especially for NFTs, based on Creative Commons model

Venture capital firm Andreessen Horowitz (A16z) announced Wednesday that it had devised a set of six licenses tailored to nonfungible tokens (NFTs) and based on the model pioneered by Creative Commons. Like Creative Commons licenses, there is a range of rights available through a variety of the proposed NFT licensed, titled Can’t Be Evil licenses.In a blog post, A16z general counsel Miles Jennings and general partner Chris Dixon wrote that, while some NFT creators use Creative Commons licenses and others customize their terms, many NFT projects have no licenses or poorly drafted licenses, leading to copyright and other legal issues. NFT buyers, they added, usually have no idea what rights they receive with their NFTs.1/ Today we’re thrilled to be launching a slate of open sourced “Can’t be Evil” NFT licenses. These licenses are designed specifically for NFTs and were inspired by 20-plus years of work by the Creative Commons. https://t.co/HodHFRvAuH— miles jennings (@milesjennings) August 31, 2022The new set of licenses have the following goals:“(1) to help NFT creators protect (or release) their intellectual property (IP) rights; (2) to grant NFT holders a baseline of rights that are irrevocable, enforceable, and easy to understand; and (3) to help creators, holders, and their communities unleash the creative and economic potential of their projects with a clear understanding of the IP framework in which they can work.” The licenses also aim to make creators responsible for the use third-party material without permission.The licenses amendable and irrevocable. They provide varying rights across five categories: Copy, Display & Distribute, Hate Speech Revocation, Commercial Use, Modify & Adapt and Sublicense. They are available as smart contracts on the a16z crypto GitHub under the most permissive Creative Commons license.Related: Will intellectual property issues sidetrack NFT adoption?The common lack of clarity into NFT ownership rights has led to disappointed buyers and has threatened to create “a wave of litigation. The situation has attracted the attention of the United States Congress. In June, two senators requested that the U.S. Patent and Trademark Office and the U.S. Copyright Office prepare a study of the issues surrounding NFT intellectual property rights.

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Six reasons why blockchain makes sense for commercial real estate: Deloitte

Solutions built around blockchain technology offer several upfront benefits, including a censorship-resistant, irreversible distributed ledger. Deloitte’s study revealed blockchain’s position as a perfect fit for real estate use cases around leasing and selling.Blockchain innovations often outdo traditional systems by not only digitizing information but also introducing a near real-time trustless environment, among other features. Big Four accounting firm Deloitte uncovered six opportunities for blockchain to disrupt the commercial real estate (CRE) industry.The above infographic highlights six key pain points for CRE owners when leasing and selling their properties and maintaining complex transaction data. With this in the backdrop, Deloitte noted six opportunities for blockchain to serve the industry, which include improving processes around searching for properties and allowing people to make better decisions around leasing and purchasing. Due to paperless processes, Deloitte envisions blockchain expediting property and payment evaluations and better-streamlining cash flow management. In addition, the technology’s inherent qualities also offer cheaper means of managing property ownership history while enabling efficient processing of financing and payments.The study reveals that blockchain technology is well-positioned to take over more than 50% of the leasing and sale process, excluding steps requiring physical intervention such as property inspection and loan negotiations. Deloitte noted:“Blockchain seems to be most applicable to dynamically configurable or co-sharing spaces, which have a relatively higher number of tenants and shorter duration leases.”While Deloitte’s report reaffirms blockchain’s potential to drive transparency, efficiency and cost savings for commercial real estate owners, companies and CRE owners are advised to follow a three-step approach — educate, collaborate or create, facilitate — in determining the best way ahead for blockchain implementation.Related: Nonfungible tokens don’t live on the blockchain, experts sayWhile nonfungible tokens (NFTs) have been advertised as blockchain-based technologies, experts contradict the notion.Speaking to Cointelegraph, Jonathan Victor, the Web3 storage lead at Protocol Labs, revealed that main chains are very limited in size, which in turn makes storing data on the blockchain to be expensive. As a result, NFT ecosystems often opt for off-chain storage solutions. Alex Salnikov, the co-founder of Rarible, confirmed the above claim as he told Cointelegraph:“It is important to understand that the NFT living in a user’s wallet only points to the file it represents — the actual file itself, also known as an NFT’s metadata, is typically stored elsewhere.”Despite the revelation, both experts noted that storage for NFTs can still be considered decentralized.

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Will intellectual property issues sidetrack NFT adoption?

The rapidly growing but loosely regulated nonfungible token (NFT) industry already touches many areas of human endeavor “from academia to entertainment to medicine, art, and beyond,” wrote recently two United States senators in a letter to the U.S. Patent and Trademark Office (USPTO) and the U.S. Copyright Office. The legislators were requesting a study to explain how this emerging technology fits into the world of intellectual property (IP) rights, including copyrights, trademarks and patents. It is an area that some say is marked by ambiguity and inconsistent application of the law, and sometimes indifference from the courts. “Many feel it is time for Congress to step in and provide the predictability needed for innovation to flourish,” Michael Young, partner at Finnegan, Henderson, Farabow, Garrett & Dunner, LLP, told Cointelegraph.The joint study that senators Patrick Leahy and Thom Tillis requested from the agencies, due June 2023, has as background a recent slew of high-profile lawsuits — Nike v. StockX, Hermès v. MetaBirkins and Miramax v. Quentin Tarantino — that raise some sticky questions about NFT creation, ownership and dissemination.In one case, an NFT was minted — without permission — featuring sneakers with a Nike Swoosh. In another, NFT-related digital images were created of Hermès’ Birkin handbags, covered in fur, not leather, but also unlicensed. In a third, a famed movie director created NFTs from a film he directed but didn’t own. A “wave of litigations has already begun for trademarks and copyrights, and courts are grappling with applying principles crafted long before the NFTs existed,” Anna Naydonov, partner and co-chair with Young of Finnegan’s Blockchain, NFTs, and Other Digital Assets industry group, told Cointelegraph. “The lack of clarity surrounding patent subject matter eligibility for software remains a top concern for NFTs and other crypto-based innovations in both the U.S. and abroad,” said Young. Much the same could be said about trademark and copyright issues, especially the secondary liability of marketplaces like OpenSea, as well as metaverse virtual worlds and similar platforms where copyright infringement can occur, added Naydonov.Still, not all agree that new legislation is needed. Some believe that government intervention in the U.S. and elsewhere would be not only superfluous but could stifle NFT adoption and innovation.Is current law sufficient?The real problem, as Gina Bibby, partner at Withers Bergman LLP, told Cointelegraph, could simply be “a lack of education about what NFT ownership really means.” A key thing that people seem to overlook is that: “Absent a contractual agreement — e.g., smart contract — that expressly includes intellectual property (IP) rights, purchasing an NFT does not convey any copyright, patent or trademark rights or even ownership interests in the physical world asset on which the NFT is based.”Are there, arguably, some false ideas out there about NFT ownership and puzzlement over who can do what? Recent: The regulatory implications of India’s crypto transactions tax“Yes,” Eric Goldman, associate dean for research and professor at Santa Clara University School of Law, told Cointelegraph. “In the offline world, the buyer of a painting or sculpture doesn’t automatically buy the associated copyrights.” That is unless the copyright is separately transferred, the artist or sculptor “can commercialize depictions of the art/sculpture and prevent the chattel owner from doing the same.” Even if the average consumer isn’t always aware of this, the U.S. Copyright Act expressly states:“Ownership of a copyright, or of any of the exclusive rights under a copyright, is distinct from ownership of any material object in which the work is embodied.”Goldman sees “a lot of erroneous claims” being made these days to the effect that “that owning one piece controls the other,” i.e., the NFT owner controls the IP or the IP owner controls the NFT. People often fail to recognize that, just as in the physical world, a piece of art and the item’s copyright are often owned by two different people, so too “an item of IP and its NFT can and often will be owned by two different people.” Growing pains of a new industry?But, every new technology brings with it novel questions, and maybe the current debate is just another example of technology moving faster than the law. Will regulators and lawmakers struggle to keep pace with changes?“It’s the opposite,” Joshua Fairfield, a professor of law at Washington and Lee University, told Cointelegraph. “The law is already in place and has been for hundreds of years. Property is one of the oldest disciplines of law. There is no reason at all that someone cannot own an NFT like we own cars, houses, stocks, or the money in our bank accounts — after all, each of those property interests is also an entry in a database of who owns what.”The problem here, Fairfield continued, is that intellectual property law grew to overshadow personal property interests online, telling Cointelegraph: “If I own a book, I own the copy, despite the fact that the book contains copyrighted material. But online, I don’t own an e-book because too many courts only recognize the intellectual property interest.”That is beginning to change now, however, as courts recognize that intangible assets like domain names or NFTs are no different from any other kind of personal property interest that we want to own, added Fairfield.In Goldman’s view, the problem here “is similar to the issues about domain name ownership we wrestled with a quarter-century ago.” A domain name can be a piece of personal property even if it’s not protected by trademarks, he said, predicting that “the non-IP rules developed to protect those domain name owners will help resolve NFT ownership disputes.”Bibby, for her part, doesn’t agree that intellectual property law has grown to overshadow personal property interests online. “When intellectual property laws are applied in a thoughtful and measured way, other interests including personal property interests are likely to be respected.”Confusion along these lines isn’t restricted to NFTs, of course. A decentralized autonomous organization (DAO), SpiceDAO, recently paid over $3 million at auction for the unpublished manuscript for the Dune film, intending to make an animated limited series about the book for a streaming service. We won the auction for €2.66M. Now our mission is to:1. Make the book public (to the extent permitted by law) 2. Produce an original animated limited series inspired by the book and sell it to a streaming service3. Support derivative projects from the community pic.twitter.com/g4QnF6YZBp— Spice DAO (@TheSpiceDAO) January 15, 2022Then it learned, too late, that in the U.S. and Europe, buying a manuscript of creative work does not grant the buyer its copyright too. SpiceDAO was ridiculed on Twitter, among other places, for its oversight. As Andrew Rossow, a technology attorney and Ohio law professor, told Cointelegraph in February:“The Spice DAO and Dune fiasco was a landmark in its own right that sends a very powerful message to everyone involved in the NFT space — creator or owner. The $3-million mistake that was made proved that intellectual property’s dominion in digital fine art is essential to its success and longevity.”Asked about needed clarifications, whether through laws or other means, Fairfield answered that people need to know the owner of an NFT owns the copy of the photograph or artwork, “just like we own a car or a painting or a book, and can sell it and capture its rise in value regardless of attempted restrictions hidden in license agreements.” “Right now, when people put millions of dollars into an NFT, they’re being told they don’t even own the right to capture the rise in value. That makes investment unsustainable,” he said. What is needed is “recognition that ownership of an NFT is an ordinary everyday ownership of personal property,” added Fairfield, further explaining:“It means NFTs pass to heirs after death. If an NFT is stolen, the owner can go to court to get it back. If an NFT is damaged or destroyed the owner can get its value from the person who did it. An owner knows that they will be able to capture the rise in value of the NFT if it turns out to be a good investment.”Rising fraud could prompt a crackdownSome believe that there are risks if governments get too aggressive with regulatory and legislative reforms in emerging technologies. “Government intervention into new technological arenas always creates a risk of misregulation that harms or hinders the development, especially when the technology is rapidly evolving or the government regulators don’t understand the technology,” noted Goldman. But, the status quo may not be sustainable here because at present, “NFTs are being used to perpetrate consumer fraud,” added Goldman. “When the fraud numbers are large enough, the government must intervene to protect consumers.”This, in turn, could lead to over-regulation. “Unfortunately, the fraudulent angles of NFTs have a real risk of overshadowing the activities of the legitimate NFT players. The legitimate players are potentially going to be hurt by government crackdowns even though they were doing the right thing all along,” Goldman said. Recent: Burdensome but not a threat: How new EU law can affect stablecoins“Such risks always exist, which is why intellectual property and marketing lawyers in this space hope that the U.S. Patent and Trademark Office, the U.S. Copyright Office, the Federal Trade Commission and/or legislators work closely with key industry stakeholders to understand the main legal challenges and the technology behind NFTs, and come up with workable solutions,” said Young. Naydonov added that “regulation and legislation without input from the industry could set the U.S. back as compared with other jurisdictions.” “People need to be educated”Bibby, however, sees no need for wholesale legal reform. What is required instead is “a discussion about what we currently know about NFT ownership,” she told Cointelegraph. People need to be educated and understand that a basic NFT purchase brings with it no copyright, trademark or patent rights — unless express language declares otherwise. She added:“Throughout modern history, laws have been tested by innovation and survived. The U.S. Constitution is a perfect example. The real need is to understand how existing intellectual property laws apply to recent innovations like virtual assets, including NFTs, virtual goods and the like.”Moreover, decisions in several pending court cases, including Nike v. StockX and Hermès v. MetaBirkins, will probably be sufficient to “resolve many of these outstanding questions,” Bibby told Cointelegraph.Meanwhile, the senators gave the USPTO and Copyright Office until June 9, 2023, to complete their study, but given the breathtaking speed at which NFTs and digital assets are being created and disseminated, the market itself might provide some answers before the agencies’ joint work ever sees the light of day.

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ApeCoin (APE) hits a new all-time high ahead of this week’s Otherside land auction

The nonfungible token (NFT) and Metaverse sectors have been the bright spots in an otherwise sideways crypto market in 2022 and proof of this comes as the APE token hit a new all-time high at $22.60 on April 28.The steady bullish momentum for APE is, in large part, due to the upcoming The Otherside land auction being held by Yuga Labs and Animoca Brands in conjunction Bored Ape Yacht Club NFT project on April 30. APE/USDT 4-hour chart. Source: TradingViewThe Otherside launch will consist of a Dutch auction-style sale and only Know Your Customer (KYC)-approved wallets will be allowed to participate in the sale of the first 100,000 land parcels. All sales will be paid for using APE, which is clearly helping to drive demand for the token higher as interested parties accumulated the token in anticipation of the sale.The Otherside adventure will begin on 4/30 at 12pm ET, only on https://t.co/UWRD4dOC9H. The KYC on https://t.co/mbSVzDX9tp was to participate in Saturday’s mint — only those who KYCed can participate. More details in the .— OthersideMeta (@OthersideMeta) April 25, 2022Related: ApeCoin price breakout stalls after $2.4M BAYC NFT robbery — What’s ahead?Wallets that already hold a BAYC or Mutant Ape Yacht Club (MAYC) NFT will be able to claim a land parcel for free for 21 days after the auction without needing to be KYC-approved to claim. Ongoing governance votes within the ApeCoin community have also helped increase demand for APE, a clear demonstration that BAYC and MAYC holders are looking to get more engaged with the direction the ecosystem will take in the years ahead.The views and opinions expressed here are solely those of the author and do not necessarily reflect the views of Cointelegraph.com. Every investment and trading move involves risk, you should conduct your own research when making a decision.

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The dreaming: Indigenous Australians are making an embassy in the Metaverse

One of the world’s oldest living cultures is meeting the world’s newest emerging tech as Indigenous Australians begin to take part in the Metaverse.“First movers need to be there. Indigenous Australians have a culture about dreaming. So, we need to do it.” Professor Vanessa Lee-Ah Mat, a cultural broker focused on wellbeing through Australian Indigenous traditional culture, told Cointelegraph. Lee-Ah Mat and co-founder, cultural brokers, artist and lawyer Bibi Barba and lawyers Joni Pirovich and Angelina Gomez, publicly released a discussion paper this week entitled “First Nations Culture in the Metaverse.”The group is seeking support to set up a pilot project to achieve the aims in the discussion paper and create a First Nations Cultural Embassy in the Metaverse.Lee-Ah Mat of the Yupungathi and Meriam Nations and Bibi Barba of the Darumbal, Biri Gubi, Gadigal and Yuin Nations are in the process of setting up an independent entity with First Nations ownership and governance to negotiate with relevant stakeholders and establish and run the operations of this pilot project.In November 2021, Barbados launched its embassy in the Metaverse. In February, another Indigenous Australian group, the Sovereign Yidindji Government in Queensland — a first for the country — launched its own digital currency as a way to further foster self-sovereignty that it has claimed since 2014 and plan its own policy planning priorities.“This Australian Indigenous Cultural Embassy is seen as an MVP,” said Lee-Ah Mat. But, how do indigenous cultures view the Metaverse?Indigenous culture and the MetaverseAt first, the connection seems tenuous: An ancient traditional culture deeply connected to the natural world and to the land and dreaming connected with a new virtual world built on computers with pixelated imagery, avatars and imagined places. But, the link is clear and logical.“The virtual world does impact the physical world. The Metaverse mirrors the earth, using the earth as the mirror in the gaming realm. The virtual world plays out features from the physical world,” explained Lee-Ah Mat. These worlds are connected.Indigenous culture is built on the dreaming, as Lee-Ah Mat explained:“The dreaming is an inadequate English translation. The dreaming is a non-static and non-linear past, present and future and integrated in the ground of the earth itself. Part of the kinship system and lore, pivotal to identity.”Rock art from Carnarvon Gorge that may portray “memorials, signs from or appeals to totemic ancestors or records of Dreaming stories.”She argued further that the Metaverse is a future deeply connected to the present, stating that “the process of creation gives identity and connection to people. During creation, the ancestors created sacred worlds between the land and the living. From birth, we are taught to connect with the physical and spiritual worlds, past the present, future — The Metaverse is a future realm.”So, the Metaverse, according to Lee-Ah Mat, is a “new paradigm of digital living, which currently lacks social structures but impacts the real world.” Indigenous lore explains that past, present and emerging futures are connected. Lee-Ah Mat believes that the Metaverse is an emerging spirituality and meeting people must have a presence there as a symbol of welcome and recognition.Why an embassy? Native land title in the real worldIn Australia, the legal concept of “Terra nullius,” or an empty land before European settlement, has meant no native title land rights and no treaty with indigenous people. Lengthy legal land rights battles have ensued over the past few decades. Australia is the only Western country without a treaty with its indigenous people.So, for Lee-Ah Mat, it is important to “understand custodianship and past and current approaches to native title. Regarding land claims in the physical world, there are 240 years of catch-up. Part of the motivation is cultural healing. It’s also about identity and lost sovereignty for our culture. There is no playbook for empowering indigenous communities. New technologies can help us try to leapfrog a legal process.”Having a cultural embassy for the group is about “using the future to re-write the past. It’s about leapfrogging the political process and making the cultural process part of that negotiation from the beginning — change from the get-go. Crypto allows us to be part of the conversation again by adopting the newest digital tech,” Lee-Ah Mat said.A suicide prevention specialist, Lee-Ah Mat is also building an AI-powered application to measure depression, connecting to the Aboriginal community’s health services. She believes “economic empowerment in indigenous communities can reduce suicide.” She is zealous about using tech to help her people.Virtual signaling in the virtual worldPart of this project is a protest against existing political recognition — or lack thereof — as well as a statement of support in the Metaverse. According to Lee-Ah mat, it’s about “creating a learning environment as the virtual land grab is on. So, someone can’t buy an Indigenous sacred site or natural wonder Uluru in the Metaverse and not understand our spirituality and dreaming connected to that site.”Helicopter view of Uluru, also known as Ayer’s Rock.The discussion paper writes that “Virtual land that ‘mirrors’ the earth is being sold without acknowledgment or consent from existing land or Native Title owners.” Further:“Virtual land that is being created as part of imaginary worlds is also being sold with neither recognition of the cultural significance that ownership of land entails for First Nations peoples, nor acknowledgement of the spiritual connection that exists between a person, the virtual land and their participation in it.”“Indigenous culture has intellectual property,” argued Lee-Ah Mat. The educational aspect of the cultural embassy is about teaching early adopters. “Gaming treasures and loot could be breaching culture and lore. NFTs could be totems in first nations cultures.” The discussion paper argued:“Virtual land is being created as a basis for privileged and best access for virtual games, work, leisure and learning environments. The ‘virtual land grab’ is on with companies and venture capital firms buying plots of virtual land ahead of the possible but largely unknown commercial opportunities and without any recognition or strategy to ensure equitable ownership of land. Play-to-earn gaming and immersive metaverse experiences present a new paradigm of digital living, which, more than ever, may have something to learn and benefit from rich Indigenous culture about identity and kinship.”Among its aims, the discussion paper stated that “Kinship is about having social responsibility to yourself, each other, and about inclusion within the physical and spiritual worlds.” There are many references to an “equitable metaverse.”For example, images of deceased people should not be viewed in Aboriginal culture as a mark of respect. So, how does this play out with nonfungible tokens (NFTs) and avatars of deceased Indigenous Australians? “We need these conversations in the Metaverse to discuss cultural sensitivities, hence the embassy idea.” A map of Uluru by Tony Tjamiwa, a healer and elder of the Pitjantjatjara people. Source: John Hill.Crypto Metaverse versus Meta’s MetaverseThere is obviously the danger of racism and sexism in the Metaverse. Nonfungible tokens, for example, have been accused of being colorblind. Therefore, Lee-Ah Mat says Indigenous Australians and other minority groups need to “have a say in the processes and protocols of the Metaverse.”But, while centralized platforms like Facebook can at least claim to police inappropriate behavior, how this plays out in the Metaverse remains to be seen.Lee-Ah Mat said that “in the Metaverse, we run the danger of recreating a system not working in the physical world, but with a cultural embassy we can have a presence.”She stated that they are only looking at decentralized Metaverse platforms due to a perceived kinship with crypto people and ideologies because “we don’t want to be playing catch up as governments begin to regulate the Metaverse.”“Decentralization already existed in indigenous cultures, as cultural lore is already decentralized and distributed to all of the people. The kinship structure is decentralized,” she said.Next stepsThe project is currently in the design phase with a hexagonal dome cultural embassy providing “multiple doors for many conversations.” They have received offers to donate some plots of land and hope to have virtual embassies on Metaverse platforms like Decentraland and the Sandbox.They are also looking at a special purpose decentralized autonomous organization designed to run the group and operate the planned Cultural Embassy missions. “Blockchain is about transparency and trust, as well as creating imaginary worlds. With no recognition of cultural significance, land or indigenous culture, there is a risk of repeating the mistakes of the past,” noted Lee-Ah Mat.“Indigenous lore on invitations is to treat someone else’s land as if it were your own land. Imagine if we could make that part of the Metaverse.”

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What are the top metaverse projects besides The Sandbox and Decentraland? | Watch The Market Report live

This week on “The Market Report,” we jump right into our main event. Join Cointelegraph analysts Benton Yaun, Jordan Finneseth, Sam Bourgi and Ornella Hernández as they debate each other on the top metaverse projects on the market. First up, we’ve got Bourgi’s pick of Wilder World, which allows you to interact with its immersive 3D world via nonfungible tokens (NFTs) and is also based on the massively popular Unreal Engine 5. Following Bourgi, we have The Market Report first-timer Hernández, who has decided to go with Boson Portal, which aims to revolutionize metaverse commerce. Will its high-profile partners such as Dolce & Gabbana and Asics and the ability to purchase physical items in the metaverse in the form of NFTs be enough to sway the vote in her favor?Next up is everyone’s favorite, Yuan, and his pick, Bloktopia. Will he be able to make a better case than the rest with Bloktopia’s 21-level VR skyscraper, which acts as a central hub where users can not only play but also gain access to crypto education, real estate and much more?Last, but certainly not least, we have Finneseth with his pick of Gala Games, which offers players real-world value out of their gameplay by adding some old-school node action with decentralized finance (DeFi) characteristics, giving players the ability to operate a Gala node in exchange for GALA and limited-edition NFTs. Once each of our experts has made their case, you, the audience, get to decide the winner by voting in our live poll, so be sure to stick around till after everyone’s presentations to cast your vote.After the showdown, we’ve got insights from Cointelegraph Markets Pro, a platform for crypto traders who want to stay one step ahead of the market. The analysts use Cointelegraph Markets Pro to identify two altcoins that stood out this week: Smooth Love Potion (SLP) and Skale (SKL).Do you have a question about a coin or topic not covered here? Don’t worry. Join the YouTube chat room, and write your questions there. The person with the most interesting comment or question will be given a free month of Cointelegraph Markets Pro, worth $100.“The Market Report” streams live every Tuesday at 12:00 pm ET (5:00 pm UTC), so be sure to head on over to Cointelegraph’s YouTube page and smash those like and subscribe buttons for all our future videos and updates.

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Renewed interest in the Metaverse sends Decentraland (MANA) price 75% higher

The influence of blockchain technology on the ongoing digital revolution cannot be overstated as the rise of the Metaverse and the integration of virtual reality is transforming the way humans interact on a global scale. One project that is beginning to gain traction in its effort to bridge the old world with the new is Decentraland (MANA), a virtual reality (VR) ecosystem built on the Ethereum network that allows users to create, engage with and monetize digital content through a variety of interactive experiences. Data from Cointelegraph Markets Pro and TradingView shows that over the past two weeks, the price of MANA has climbed 70% from a low of $1.70 on Jan. 22 to a daily high of $2.90 on Feb. 1 as the wider crypto market struggled under bearish pressure. MANA/USDT 1-day chart. Source: TradingViewThree factors that indicate a positive future for the Decentraland ecosystem are the integration of real-world companies into its virtual landscape, a growing ecosystem of celebrities and influencers that are building on the protocol and improvements to the user interface that helps improve the overall user experience. Merging physical and virtual worlds“If you build it, they will come,” is a well-known phrase from the movie Field of Dreams and it appears as though the old adage has begun to work for Decentraland as its not just everyday users, but established, globally recognized brands that are laying claim to virtual real estate. As nonfungible tokens (NFTs) exploded in popularity in 2021, some of the digital collectibles found their way into auctions at established auction houses like Sotheby’s where they fetched multi-million dollar bids. Old Master in a new world: To celebrate the once-in-a-lifetime sale of Sandro Botticelli’s ‘The Man of Sorrows,’ we built it a chapel in @Sothebys HQ in @decentraland. https://t.co/xe68T1S7ie Livestream of the #SothebysMasters auction TODAY at 10am ET. pic.twitter.com/DFlnT7xH3k— Sotheby’s Metaverse (@Sothebysverse) January 27, 2022Sotheby’s has now become a fixture in the digital crypto ecosystem by establishing a virtual auction house in Decentraland where they continue to break down the barrier between the physical and the digital world. And it’s not just auction houses that are buying up virtual land, businesses from various sectors are following the trend to remain relevant with the younger generations as the Metaverse becomes a reality. The Meta Lite Bar is opening its doors in Decentraland soon! Head to https://t.co/1iCBk8zRTQ to sign up for updates. pic.twitter.com/Fdsl89DDrB— Miller Lite (@MillerLite) February 2, 2022

Celebrities and influencers embrace the MetaverseAnother reason to be bullish on the future of virtual land projects like Decentraland is the adoption of celebrities and influencers who are looking to establish their brands in VR. Want a guided tour in @decentraland ? Book a date: Tue, 1 Feb from 5-6 pm UTC  You’ll visit the coolest show in town, Man vs. Machine, with art by @trevorjonesart @icecube built by @V_A_L_I_A_N_T Parkour to the top – get a reward Details below https://t.co/9TXo6BoXs7 pic.twitter.com/v6oshtVjVp— Ice Cube (@icecube) January 31, 2022

As well-known artists and creators build out their presence in the virtual world, their fan base will be increasingly exposed to the possibilities of blockchain technology and VR, which has the potential to usher in a new wave of adoption. Proof of this comes from events like the Metaverse fashion week in Decentraland, which attracted the attention of companies like Vogue Magazine for its ability to showcase the latest trends in fashion to audiences around the world. Related: Rise of Web3: Metaverse tokens surge as Meta’s share price plungesThe “user experience” continues to improveA third factor helping to attract users to Decentraland are the improvements to the users’ experience and an increasing number of cross-platform integrations.Easily navigate between realms within the #Decentraland start menu. Click your menu at the top right, open the realms UI at the top left, and choose the realm you wish to appear! pic.twitter.com/nlNlznTs3w— Decentraland (@decentraland) January 19, 2022

The protocol has also added a “My Store” section that allows all users to manage and track their collection and build their personal brand. According to the most recent update from the developers behind the project, some of the future updates for 2022 include the release of a desktop client, social and voice chat improvements, linked NFTs as wearables, tokenized emotes, smart wearables and a mobile app prototype VR client.” VORTECS™ data from Cointelegraph Markets Pro began to detect a bullish outlook for MANA on Jan. 22, prior to the recent price rise. Data from Cointelegraph Markets Pro is also painting a bullish picture for MANA.The VORTECS™ Score, exclusive to Cointelegraph, is an algorithmic comparison of historical and current market conditions derived from a combination of data points including market sentiment, trading volume, recent price movements and Twitter activity.VORTECS™ Score (green) vs. MANA price. Source: Cointelegraph Markets ProAs seen in the chart above, the VORTECS™ Score for MANA hit a high of 81 on Jan. 22, around one hour before the price increased 70% over the next two weeks. The views and opinions expressed here are solely those of the author and do not necessarily reflect the views of Cointelegraph.com. Every investment and trading move involves risk, you should conduct your own research when making a decision.

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