Autor Cointelegraph By Tom Mitchelhill

Bob Dylan goes meta as Sony and Universal partner with Snowcrash NFT platform

Solana-based NFT marketplace Snowcrash has announced that Sony Music and Universal Music Group — the two largest music labels in the world — have officially partnered with the upcoming platform. The two music labels will release Bob Dylan and Miles Davis NFT collections later this year, ahead of wider integration with their rosters of artists. Jesse Dylan, who probably not coincidentally is Bob Dylan’s son, is the co-founder of the Snowcrash marketplace, which draws its namesake from Neal Stephenson’s 1992 sci-fi novel that also invented the term Metaverse.Bob Dylan is a major investment by both labels: UMG spent around $400 million on his song catalog in 2020, while Sony bought his recorded music rights for more than $150 million last year. In a statement, Dylan the younger stipulated that the current market for NFTs is just “the tip of the iceberg” and that he opted for the Solana blockchain over the Ethereum network to launch the platform because he believes it is better for the environment. Snowcrash will compete with existing Solana-based NFT marketplaces such as MagicEden and Solanart, the two leading exchanges by trading volume on the chain. Dennis Kooker, Sony’s president of digital business said that Sony Music is working with Snowcrash to “develop a range of opportunities for our recording artists with a focus on delivering accessible, user-friendly experiences for both creators and fans.”Echoing this sentiment, Michael Nash, the executive vice president of Universal Music, said that, “[NFTs] enable our artists and labels to advance their cultural influence at the forefront of innovation.”Snowcrash also has a joint venture with cryptocurrency exchange FTX and is a strategic partner of Solana Labs.The music industry more broadly has taken a keen interest in NFTs as a way to further monetize content and create unique communities, with popular artists such as Nas, Steve Aoki & Kings of Leon each netting millions of dollars from NFT sales. Related: Record label CEO explains how music NFTs are set to revolutionize the industrySony and Universal aren’t the first major music labels to venture into the Web3 space, with Warner Music Group partnering with play-to-earn game Splinterlands. Oana Ruxandra, chief digital officer and executive vice president of business development at WMG said that building custom tokenized games allowed WMG to, “unlock new revenue streams for our artists who have an interest in the space while elevating the role of fandom and community.”

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SEC investigating NFT market over potential securities violations: Reports

The U.S. Securities and Exchange Commission (SEC), led by crypto-skeptical Chairman Gary Gensler, is reportedly investigating NFT creators and marketplaces for securities violations, according to a report from Bloomberg. Anonymous sources in the report claim that the SEC is investigating whether: “certain nonfungible tokens… are being utilized to raise money like traditional securities.” Throughout the last few months, attorneys from the SEC’s enforcement unit have reportedly sent subpoenas demanding information on specific NFTs and other token offerings. While crypto lending products have been the subject of great regulatory scrutiny over the past year, this report marks a major move into investigating the NFT sector. The inquiry shows the SEC is taking a particular interest in how fractional NFTs are being used. That’s where a more valuable NFT is tokenized into smaller pieces and onsold.The warning signs have been clear for a while, with Hester Peirce, also known as Crypto Mom, stating back in Mar. 2021 that selling fractionalized NFTs could be breaking the law. “You better be careful that you’re not creating something that’s an investment product — that is a security”This investigation is the latest in a wave of clampdowns that seek to govern the cryptocurrency market more firmly. Most recently, the SEC ordered that New Jersey-based crypto lending company BlockFi pay a record fine of $100m for failing to list “high-yield: lending products as securities. While Bitcoin and Ethereum have been able to avoid scrutiny owing to the fact that they aren’t considered securities by the SEC (at least, not yet), other digital assets have not enjoyed the same reprieve, most notably Ripple Labs the parent company of XRP, which has been embroiled in a legal case over selling “unregistered securities” since late 2020. Related: SEC unable to locate BitConnect founder convicted in $2.4B fraud caseNFT sales have continued to grow, flouting the current market decline — with the top two NFT exchanges LooksRare and OpenSea sharing $10.7 billion in trading volume over the past 30 days.

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Snow Crash's Metaverse was filled with ads in 1992, and the real one will be too

Neal Stevenson’s Snow Crash, a techno-dystopian science-fiction novel that has become a legend among Silicon Valley tech bros, predicted the rise of a future Metaverse all the way back in 1992. Despite Stephenson saying that he was “just making sh*t up”, the eerily accurate predictions and worldbuilding of Snow Crash have been long-revered by tech entrepreneurs and futurists including Jeff Bezos and Mark Zuckerberg. Now, Stephenson’s striking fictional depictions of a Metaverse oversaturated with the neon glow of commercial advertising rings truer than ever as Web3 designers and marketers gear up to begin advertising in the Metaverse(s) of today. On Feb. 23, mixed-reality NFT platform Realm announced a partnership with decentralized advertising exchange Alkimi. Realm stated it intends to use Alkimi’s platform to incentivize players to earn from advertisements by sharing the revenue from existing ad formats in a transparent way.Speaking on how to avoid a techno-marketing dystopia like Snow Crash in an announcement, Realm co-founder Matthew Larby said that transparency was a top priority,“Advertising is a fundamental part of most existing social applications, but the deal’s been pretty bad for both the person who creates the data and the advertiser who struggles to verify their spend.”Ben Putley, CEO of Alkimi Exchange, added to this saying, “Advertising has always followed eyeballs and as we see the numbers of people spending time in Metaverses, it will quickly become a channel advertisers will look to include in their strategies.”While Alkimi and Realm may have their sights set on ensuring a transparent & sustainable advertising environment, other major players are diving into the Metaverse headfirst. JPMorgan recently released a report declaring the Metaverse a “$1-trillion opportunity” and further outlining that “[marketing] is potentially one of the biggest segments of the meta-economy.”UK-based in-game advertiser Bidstack, announced a partnership with multinational media platform Azerion. Bidstack specializes in creating ‘in-game’ advertisements, where companies pay to have their products on billboards in a game such as Call of Duty. In-game advertising isn’t a brand new concept — back in 2008, Barack Obama purchased in-game billboards from EA games to boost his presidential campaign reach. With geotagging capabilities, EA was able to place the ads in 10 different swing states, gracing the billboards of Madden, NBA, and even Need for Speed with Obama’s promotional material. Related: The metaverse will bring a further erosion of privacyHowever, the Metaverse isn’t being designed as a game, it’s being designed as an alternate world where humans will undoubtedly spend increasing amounts of time, which ultimately means that advertising will be an obvious next step for most brands.Unless individuals and companies take a certain level of care in designing the sort of world that people want to spend time in, the Metaverse could very well devolve into something akin to Snow Crash, where underpaid delivery drivers drive through endless virtual tunnels of advertising,“His car is an invisible black lozenge, just a dark place that reflects the tunnel of franchise signs — the loglo.” — Snow Crash, page 13.

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Coinbase made $2.2 billion in revenue from transaction fees in Q4

Coinbase’s Q4 financial report vastly exceeded market expectations Thursday, after the firm posted $2.5 billion in net revenue for the quarter, beating analyst predictions by 27%. FactSet consensus had forecasted Coinbase to generate approximately $1.9 billion in revenue for the period. Notably, the popular crypto exchange more than doubled transaction revenue from Q3 to Q4, generating 91% ($2.276 billion) of its total Q4 revenue from transactions alone. Adding to investor confidence, the company’s total transaction revenue for 2021 was a whopping $6.8 billion. Despite the report posting $840 million in net income and showing substantial growth from 7.4 million monthly transacting users (MTU) in Q3 to 11.4 million in Q4, COIN share prices fell 4.7% in postmarket trading, now down a total of 30% year-to-date.It is also worth noting that $213 million, just 9% of Q4 revenue, was generated by non-trading products coming from other sources like lending and staking. The US-based crypto platform stated that it has recently witnessed a drop in crypto market volatility and asset prices when compared to the all-time-high conditions of Q4, owing partially to instability in global market conditions. Resultantly, the report stated that Coinbase expects to see a comparative decline in MTUs and subsequent transaction revenue in Q1 2022. Despite a potentially sluggish Q1, Coinbase wrote to its investors that it plans for “aggressive” internal investment in 2022 while also ensuring that it is prepared for any potentially unsavory market conditions.“In the event of a material decline in our business, below the ranges we have planned for, we may slow down our investments and would expect to manage our adjusted EBITDA losses to approximately $500 million on a full-year basis.”Related: Who really created the Coinbase Superbowl ad? Armstrong called out on TwitterCoinbase also pointed to the growth of Web3, NFTs, and DeFi as sources of future growth for the company, using the rapid increase in NFT sales last year as a point of reference. The company also said that it plans to hire 6,000 employees in 2022 with a large focus on customer support and reliability, something that Coinbase has suffered for in the past. Coinbase predicts that between $4.25 to $5.25 billion will be spent in 2022, with a large focus being placed on the technology and development teams.

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Seller 'rugs' $30M CryptoPunks collection minutes before Sotheby’s auction

NFT enthusiasts and fine art collectors have been left confused, after an auction for a collection of 104 CryptoPunks estimated to be worth around $30 million was canceled at the last-minute.The event, hosted by famous fine-goods auctioneer Sotheby’s, was on track to be one of the largest NFT auctions in history — up until the pseudonymous owner of the ‘Punk It!’ collection suddenly withdrew from the auction. The CryptoPunk hodler’s reasons behind the move remain unclear, however in the aftermath of the canceled auction, the anonymous owner who goes by ‘0x650d’ on Twitter sent out a seemingly nonchalant tweet to his 12 thousand followers noting “nvm, decided to hodl” nvm, decided to hodl https://t.co/WdQ5H7I0fl— 0x650d (@0x650d) February 24, 2022The collector went on to make light of the situation, posting a meme insinuating that they were “taking punks mainstream by rugging Sothebys.” While this wasn’t an actual “rug pull” where investors are illegally stripped of funds, it certainly left Sotheby’s and the community in the dark. pic.twitter.com/M0l9wvH3T5— 0x650d (@0x650d) February 24, 2022

Haralobos Voulgaris, a quantitative researcher for the Dallas Mavericks, wcalled the collector a “clown”, “[0x650d] may have made their motivations about their decision to pull out slightly more clear — choosing to poke fun at the high fees charged by auction houses like Sotheby’s.”Salty that you’re going to have to buy at retail now?— 0x650d (@0x650d) February 24, 2022

The NFT industry has witnessed near-exponential growth in 2021, with CryptoPunks, created by Larva Labs, generating over $2 billion in sales volume since inception. Despite the fact that this would have been Sotheby’s first entirely NFT-focused event, the auction house has shown an aptitude for capitalizing on the lucrative NFT market, selling over $100 million worth in NFTs last year alone, $24 million of which occurred at a single auction. Related: CryptoPunks community reacts to the ongoing copyright battle between v1 and v2This recent clash shines light into the ideological chasm between the nonconformist “cyberpunk” culture of Web 3 and the more composed, “highbrow” culture of traditional institutions.

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